Eilert Asmervik and Anaïs Horn, How do you feel about “Lou”?, at Sophie Tappeiner at Garnisongasse, 2020, image credit: Kunst-Dokumentation.com
Eilert Asmervik and Anaïs Horn, How do you feel about “Lou”?, at Sophie Tappeiner at Garnisongasse, 2020, image credit: Kunst-Dokumentation.com
Eilert Asmervik and Anaïs Horn, How do you feel about “Lou”?, at Sophie Tappeiner at Garnisongasse, 2020, image credit: Kunst-Dokumentation.com
Anaïs Horn, Yesterday, 2019, 3 inkjet-prints on Hahnemuehle paper in artist’s frame, 33 x 57 cm, image credit: Kunst-Dokumentation.com
Anaïs Horn, Today, 2019, 3 inkjet-prints on Hahnemuehle paper in artist’s frame, 33 x 57 cm, image credit: Kunst-Dokumentation.com
Eilert Asmervik and Anaïs Horn, How do you feel about “Lou”?, painting by Adrian Buschmann: AE, 2020, 60 x 60 cm, oil on canvas, image credit: Kunst-Dokumentation.com
Anaïs Horn, Day After (Pill), 2019, 2 prints on Poly-Georgette, 65 g, each 300 x 146cm, image credit: Kunst-Dokumentation.com
Eilert Asmervik and Anaïs Horn, How do you feel about “Lou”?, at Sophie Tappeiner at Garnisongasse, 2020, image credit: Kunst-Dokumentation.com
Eilert Asmervik and Anaïs Horn, How do you feel about “Lou”?, at Sophie Tappeiner at Garnisongasse, 2020, image credit: Kunst-Dokumentation.com
Eilert Asmervik, The Death of Impossibility Mind in Someone Living, 2019, oil, oil stick and spray on canvas in oak frame, 96 x 105 cm (Collection Dr. Helmut Marko, Graz), image credit: Kunst-Dokumentation.com
Eilert Asmervik and Anaïs Horn, How do you feel about “Lou”?, at Sophie Tappeiner at Garnisongasse, 2020, image credit: Kunst-Dokumentation.com
Eilert Asmervik and Anaïs Horn, How do you feel about “Lou”?, at Sophie Tappeiner at Garnisongasse, 2020, image credit: Kunst-Dokumentation.com
Eilert Asmervik and Anaïs Horn, How do you feel about “Lou”?, at Sophie Tappeiner at Garnisongasse, 2020, image credit: Kunst-Dokumentation.com
Eilert Asmervik and Anaïs Horn, How do you feel about “Lou”?, at Sophie Tappeiner at Garnisongasse, 2020, image credit: Kunst-Dokumentation.com
Eilert Asmervik and Anaïs Horn, How do you feel about “Lou”?, at Sophie Tappeiner at Garnisongasse, 2020, image credit: Kunst-Dokumentation.com
Eilert Asmervik and Anaïs Horn, How do you feel about “Lou”?, at Sophie Tappeiner at Garnisongasse, 2020, image credit: Kunst-Dokumentation.com
Anaïs Horn: Blue/Hour/Glass I & II, 2019, Prints on 100 % Silk Satin, 85 g, hand-stitched, each 80 x 60, image credit: Kunst-Dokumentation.com
Eilert Asmervik and Anaïs Horn, How do you feel about “Lou”?, at Sophie Tappeiner at Garnisongasse, 2020, image credit: Kunst-Dokumentation.com
Eilert Asmervik, Impossibility of Mind Death in Living the Someone, 2019, oil on canvas, 96 x 105 cm, image credit: Kunst-Dokumentation.com
Eilert Asmervik and Anaïs Horn, How do you feel about “Lou”?, at Sophie Tappeiner at Garnisongasse, 2020, image credit: Kunst-Dokumentation.com
Eilert Asmervik and Anaïs Horn, How do you feel about “Lou”?, at Sophie Tappeiner at Garnisongasse, 2020, image credit: Kunst-Dokumentation.com
Anaïs Horn, Tomorrow, 2019, 3 Inkjet-Prints on Hahnemuehle paper in artist’s frame, 33 x 57 cm, image credit: Kunst-Dokumentation.com
Eilert Asmervik and Anaïs Horn, How do you feel about “Lou”?, at Sophie Tappeiner at Garnisongasse, 2020, image credit: Kunst-Dokumentation.com
Eilert Asmervik, Impossibility Death of Someone Living in the Mind, 2019, oil on canvas, 102 x 90 cm, image credit: Kunst-Dokumentation.com
How do you feel about “Louˮ? is an interdisciplinary collaboration between Anaïs Horn and Eilert Asmervik, consisting of a body of work initiated during the experience of an unexpected pregnancy, provoked by ideas of faith, desire and destiny.
Assembling photographs, paintings, videos, drawings, sculptures and personal objects, extending from their first meeting in October 2019 into the beginning of the new decade, encompassing the miscarriage, the surgery that followed, as well as the development of their relationship to each other, the installation – in contrast to a didactic monologue – relates openness and intimacy with vagueness and ambivalence.
The intention of the artists’ open approach to a scenario in which the trustworthy Western tool of rational thought and cognitive decision-making have repeatedly failed, is for the viewers to resonate freely and create their own ideas, interpretations and meanings around the installation and to subjectively weave loose threads.
The exhibition is accompanied by an artist’s book interweaving material from the period in question with contributions by Delphine Bedel, Adrian Buschmann, Anna Gien, Irmi Horn, Joakim Mathisen, Katharina Manojlovic, Laura Schawelka, Andy Schumacher, Daniela Trost and Verena Walzl. How do you feel about “Lou”? is published by Meta/Books, Amsterdam.