Jasmine Gregory, Expect The Expected No. 3, 2023, oil, glitter on linen, 100 x 140 cm, © CHOREO
Jasmine Gregory, Estate Sale No.5, 2023, oil on linen, 140 x 200, © Flavio Karrer
Jasmine Gregory, Untitled, 2023, Hermes box, cement, ribbon, rhinestones, metal hangar, 30 x 25 cm, © CHOREO
Jasmine Gregory, Expect The Expected No.1 , 2023, oil, glitter, rhinestones on linen, 100 x 140 cm, © Flavio Karrer
Jasmine Gregory , A Little Newer, A Little Better, A Little Sooner Than Is Necessary, exhibition view, SOPHIE TAPPEINER, 2023
Jasmine Gregory, Estate Sale No. 1, 2023, oil on linen, 200 x 140 cm
Jasmine Gregory, I Only Have Eyes For You, 2023, oil, ribbon, plastic on linen, rhinestone, 110 x 120 cm
Jasmine Gregory , A Little Newer, A Little Better, A Little Sooner Than Is Necessary, exhibition view, SOPHIE TAPPEINER, 2023
Jasmine Gregory, False Gods, 2023, oil, epoxy, Jackson Pollock puzzle pieces, glitter on linen, ribbon, lamps, plastic on metal hanger, in artist’s frame, 129 x 169 cm
Jasmine Gregory, False Gods, 2023 (detail)
Jasmine Gregory, Better Than Botox, 2023, paper, cardboard, ribbon, rhinestones and epoxy on cardboard, 22 x 38 cm
Jasmine Gregory, Estate Sale No. 3, 2023, oil, Jackson Pollock puzzle pieces, epoxy, rhinestones on linen, 110 x 140 cm
Jasmine Gregory, Heavy Is The Head That Wears The Crown, 2023, ribbon, graphite, acrylic, on wood, reproduction photo of Paul Gauguin, 128 x 22 cm
Jasmine Gregory, Heavy Is The Head That Wears The Crown, 2023 (detail)
Jasmine Gregory, Heavy Is The Head That Wears The Crown, 2023 (detail)
Jasmine Gregory, Mommie Dearest, exhibition view, Istituto Svizzero, Milan, 2022
Jasmine Gregory, Call me Ms. Bitch, Because I Don’t Miss, Bitch, 2021, oil on linen, 200 x 170 cm
Jasmine Gregory, Investment Piece (2), 2022 oil on linen, 90 x 70 cm
Jasmine Gregory, As a Dog Eats its Own Vomit, so Fools Recycle Silliness, 2022, wire hanger, ribbon, paper, plastic, and acrylic, dimensions variable
Jasmine Gregory, The Unrevealed Secret, the Sparkle of Fetish And its False Gods, 2022, oil, fabric, plastic, aluminum foil, glitter on linen, 162.56 x 149.86 cm
Jasmine Gregory, The Unrevealed Secret, the Sparkle of Fetish And its False Gods, 2022 (detail)
The Puppet Show, exhibition view, Centre d’Art Contemporain, Genève, 2020
Bio
The work of Jasmine Gregory (*1987 in Washington, D.C., lives and works in Zurich) develops around various sets of motifs, artistic gestures as well as assemblages to explore the tensions of artistic production, history of paintings as well as subjectivity in how it circulates in institutional and commercial contexts, thereby addressing absurd and abstracted notions of culture and commodity. Her paintings and sculptures draw from a complex spectrum of historic and contemporary reference points, such as baroque still life, portraiture, advertisement.
Solo exhibitions include If I Can’t Have it, No One Can, CAPC Musée d’art contemporain Bordeaux, Bordeaux (2023), Believe in ur Dreams, Martina Simeti, Milan, A little Newer, A Little Better, A Little Sooner Than is Necessary, SOPHIE TAPPEINER, Vienna (2023), Mommie Dearest, Istituto Svizzero, Milan, Heirlooms, King’s Leap, New York City (2022), Home Improvements, Park View / Paul Soto, Brussels (2021), Trouble at Casa Amor, Karma International, Zurich (2020).
Recently, her work has been included in group shows held at Fitzpatrick Gallery, Paris (2023), Karma International, Zurich, Centre D’Art Contemporain, Genève, Kunsthalle Fri Art, Fribourg (2022).
In 2023 Gregory has been nominated a finalist for the Swiss Art Awards.
Gregory has a solo show coming up at CAPC Musée d’art Contemporain de Bordeaux in fall 2023.